When a reporter visited him for an interview, he took her to his garden and introduced her to each of his friends, Janardhan, Raghunandan, Gangadhar, Jagannath, Budhuram and Jhatpatjhatpat-jhatpat. Problem was, all these ‘friends’ were trees in his garden.
And then he took her to his bedroom, to meet some more of his ‘friends’ – a collection of human skulls.
He called a famous architect to design his interiors and told him that he wanted a moat in his living room instead of a sofa, crows hanging on the walls instead of paintings, and finally told him that instead of an air-conditioner, he wanted ‘monkeys farting from the ceiling‘. The architect ran for his life.
He hung a huge notice board outside his house that read, “This is a lunatic asylum.”
When a producer paid him only half his promised fee, he turned up for shooting with half his head and moustache shaved off, and told him,”Aadha paisa, tho aadha make-up.”
He would turn up for song recordings in an old lungi, and refuse to start singing until his secretary called him up to confirm that he had received his payment from the producer. Once, when he did not receive that call, he called up his secretary, and asked him if his payment for the movie had been received. “But Sir, it is your own movie, and you are the producer.”, the secretary told him. “So what?”, was the retort.
A film director got a court order against him, for refusing to listen to him on the sets. The next day, the director forgot to say ‘Cut’ after a car chase scene, and so he continued driving for 100 kilometers more, right upto Khandala!
Only one man could get away with behaviour like that, and still be one of the highest paid stars in Bollywood.
Wild, wacky, unpredictable and uniquely gifted, Abhas Kumar Kanjilal Ganguly, or Kishore Kumar Khandwewallah as he called himself, was quite simply one of a kind. There never was another like him, and never will be.
Kishore Kumar started out to be a hero, like his elder brother Ashok Kumar. He had no intention of being a playback singer. He was a huge fan of KL Saigal. One day, he was loudly singing a Saigal song in his bathroom, and was overheard by SD Burman. Burman had come to visit Ashok Kumar and he was impressed by Kishore Kumar’s singing. He took Kishore under his wing and trained him in the art of playback singing.
Kishore Kumar was the only leading playback singer of his time who never had formal classical training. That didn’t come in the way of his becoming an all-time great in Indian cinema.
From his film debut in 1948 till his sudden death in October 1987, Kishore Kumar excelled in every sphere – he was a hero, comedian, singer, music director, composer, lyricist, film maker and producer. His versatility as a film maker was amazing. On one hand, he madezany movies like Chalti Naam Gaadi and Badti ka Naam Daadi, that had audiences rolling on the floors. On the other, he made serious and thought-provoking movies like Door gagan ki chaaon mein and Door ka rahi, that were acclaimed by film critics. The last movie he made, Door wadiyon mein kahin, did not have a single song in it.
As controversial as he was in his public life, he was equally unconventional in his personal life. He was unabashed about the fact that he married four times. His first wife, Ruma Ghosh, was a famous playback singer and leading actress of her time. So was his second wife, the beautiful Madhubala, who died due to a hole in her heart. Yogita Bali, his third wife, was a well-known actress too. She left him after a briefmarriage, since she could not stand his habit of sitting awake each night and counting his money! Leena Chandavarkar, another beautiful actress of the nineteen-sixties and seventies was his fourth wife, and remained his wife until his death.
For all his weird behaviour and eccentricity, Kishore Kumar was a political activist in his own right. He stood up against the government during the Emergency, by refusing to sing at a political function. As a result, he was banned from All India Radio and TV for two years, but Kishore Kumar didn’t bother. After the Emergency was lifted in 1977, he promptly bounced back.
His sudden death on October 13, 1987 due to a massive cardiac arrest came as a total shock to everyone. Kishore Kumar was cremated in Khandwa, his native village.
For die-hard fans like me, Kishore Kumar will never die. Along with Mohammad Rafi, he is one of the immortals of Indian cinema.
Here is a rare song from Half-Ticket (1961), a freaked-out comedy that was typical of Kishore Kumar. I think this is the only song of its kind in Indian cinema. This is a male-female duet in which both parts are sung by the same singer! Who else but a mad genius like Kishore Kumar could perform a duet like this?